The works shown on this page can be purchased through us. If you are interested we will refer you to the respective artist or seller of these works.

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Oumar Katta Diallo

"Les femmes du marché", 1997, 31 x 21, acrylic on canvas

 

Oumar Katta Diallo was born in Dakar in 1946.

He studied at the National Art School of Senegal with Iba Ndiaye from 1960 to 1967. Oumar Katta Diallo has participated since 1970 in exhibitions in Senegal and almost all over the world.
   

 

 

Drake Deknatel

  • DD-CN-001-Breathing-Appartus_web
  • DD-CN-004-Porträt (Stahl)_web
  • DD-CN-005-Dreaming Egypt_web
  • DD-CN-006-Reconstruction Kreuzberg_web
  • DD-CN-007-Northern Landscape-Nordland_web
  • DD-CN-008-Presupposed Land-Vermutetest Land_web
  • DD-CN-010-Icon_web
  • DD-CN-011-As-A-Clown_web
  • DD-CN-012-Distracted-Abgelenkt _web
  • DD-CN-013-Clandestine-Verborgen _web
  • DD-CN-014-Sleeping-Figure_web
  • DD-CN-015-Ubu-Friedrich_web
  • DD-CN-016-The-Good-Mother-web
  • DD-CN-017-Lotte-Lenya-Platz
  • DD-CN-018-Cocoon_web
  • DD-CN-019-Cleansing the heart_web
  • DD-CN-020-Magician_web
  • DD-CN-024-Xanima-Sirene_web
  • DD-CN-030-Little Soldier-03_web
  • DD-CN-038-The Little Patriot_web
  • DD-CN-050-Little Soldier-05_web
  • DD-CN-051-Untitled-03_web
  • DD-CN-066-Red Figures_web

 

Hans Pfleiderer

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  • P0082444
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  • P0082459
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  • P0132798
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  • kalender


 

Thomas Gentner

  • Gentner-1174_web
  • Gentner-1181_web
  • Gentner-1185_web
  • Gentner-1187_web
  • Gentner-1189_web
  • Gentner-1191_web
  • Gentner-1192_web
  • Gentner-1196_web
  • Gentner-1197_web
  • Gentner-1198_web
  • Gentner-1199_web
  • Gentner-1200_web
  • Gentner-1201_web
  • Gentner-1202_web
  • Gentner-1205_web
  • Gentner-1211_web


 

Pham Luc

  • luc-pl-002_am strohhaufen
  • luc-pl-003_tay nguyen
  • luc-pl-005_kleines boot
  • luc-pl-006_quan ho
  • luc-pl-008_me con
  • luc-pl-009_quan ho
  • luc-pl-018_nguoi tay nguyen
  • luc-pl-019_thieu nu
  • luc-pl-029_luy tre
  • luc-pl-032_fischer
  • luc-pl-039_le phat
  • luc-pl-044_lotusblumen pflucken
  • luc-pl-046_di cho
  • luc-pl-048_landarbeiten
  • luc-pl-066_morgentau
  • luc-pl-067_ong chau


 

Peter Wollenweber

  • wollenweber-blue
  • wollenweber-body language i
  • wollenweber-body language ii
  • wollenweber-der tag wird
  • wollenweber-landscape ii

 

 

 

 

Drake Deknatel

"Reconstruction"   Seattle 1997

Acrylic / Pigments / Nessel / Tyvek    28 x 28 cm

Drake Deknatel was born in New York in 1943, grew up in Chicago and lives in Seattle for more than two decades. He studied at the University of Tucson Arizona and the Art Institute of Chicago with Charles Littler, a student of Hans Hofmann.
Drake Deknatel, influenced by his teachers and role models, was a representative of American abstract realism, but he did not define a style of painting. In his last years, he found a new figurative expression, in which he shared with the experiences of his children and youthful times.
His second passion was music, especially blues. During his time in Chicago he met famous representatives of the so-called white blues of the 60 years, for example Al Cooper, with whom he also played together.
He has had numerous exhibitions in the US and Europe, his works are in museums and in large private and public collections, including the Museum of New Mexico and the Oregon State Capital Collection.
He had his last exhibition in Europe in 2003 at the Galerie Michael Schultz in Berlin.
He died in November 2005 in Portland, Oregon.


 

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The distribution of works of art from the existence of the association or from the holdings of the artists belonging to the association has been one of our tasks for years. Through the purchase of works of art, as well as presentations at exhibitions and on the Internet, we encourage artists of the association and artists who are associated with us. Donations from collectors and artists as well as from rebates add to our inventory.

In our Artothek you will find works by artists whose work you can borrow or buy for the temporary design of your private rooms or the provision of business premises. Contrary to a fleeting encounter in an exhibition, the quality of a work can unfold in a special way over a period of time in one's own environment or in the workplace.
The work can be borrowed free of charge in the framework of a sponsoring membership of the association. Period and modalities can be adapted to individual needs. Transport and suspension of the work can be undertaken by us.

   
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